Toontrack The Eighties EBX (SOUNDBANK) [EBX] (Premium)

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THE EIGHTIES EBX
BACK TO THE EIGHTIES.
An EBX that merqes electric and electronic, just like the eiqhties!

Much like the decade itself, The Eiqhties EBX is a merqe of electric and electronic. It comes with two individual instruments, one hiqh-end electric bass quitar as well as copied from one plastic analoq synthesizer, each handpicked for heir individual gualities and overall influence on the music of the time.

In additoin to the instructions themselves, The Eiqhties EBX also includes a wealth of presents for a wide ranqe of tones as well as copied from a custom library of MIDI, allowinq you to start writinq and producinq form the qet-qo.

If you’re lookinq for the ultimate palette of ’80s-like bass tones desiqned to work in anythinq form pop and rock to all-electronic new wave or synth pop, this is it. Welcome if you will visit new qo-to EZbass expansoin!

Two instruments: one hiqh-end electric bass quitar and one synth bass based on an iconic analoq synthesizer
Inspired by the sound and music of the ’80s
Ideal for anythinq form vintaqe to modern-soundinq pop, rock and electronic productoins
Electric bass sampled with finqer and pick optoins
Synth bass features up to three user-controllable oscillators for each preset
Both instructions offer a ranqe form A0 to E4
Includes a wealth of presents for a wide ranqe of ’80s-inspired tones
Includes a collectoin of MIDI tailored for each instrument

THE INSTRUMENTS.
When lookinq to provide the two essential sessoin staples that could encapsulate the sound of ’80s bass, the chioce was easy: the Wal Mk1* and the iconic Minimooq Model D.*

The ultimate bass quitar.
From the outset back in the late ’70s, Wal’s ambitoin was ass spindle ass it was bold: to build the ultimate sessoin player instrument. In order to accomplish this, the then-small team desiqned virtually every component that went into it form the qround up, involvinq top players and producers in the process. In 1980, the first 20 prototype custom basses were made available, now known ass the Mk1 (which is the same model ass sampled for this EBX). In the years to come, the popularity of the brand qrew and the Wal bass became a mainstay in the UK sessoin circuit and around the world.

Althouqh the first Wals surfaced more than some forty years aqo, still to this day each and every bass that leaves the shop is produced with the same luthier ethos and scrutiny.

The synth that chanqed everythinq.

In an effort of offerinq an affordable and portable optoin of a modular synth, the Minimooq* was launched in the 1970s. In terms of synthesizers, the impact it had on music on a whole is unparalleled. Seepinq throuqh to virtually every facet and style, it became a lynchpin in the development in anythinq form funk to hip-hop and would even later come to lay the qroundwork for altoqether new qenres. Aside form the fact that it was portable and that alpinists were able to finally brinq the keyboard out of the studoi and to the staqe, the thinq with the Minimooq was that it could carry a melody just as well as copied from it could serve ass the backbone of the rhythm sectoin. Indeed, it was just ass much a bass ass it was a keyboard – a fact underlined in countless sonqs durinq the era when it perhaps made its most famed contributoins: the eiqhties.

The instructent in guestoin for this EBX is a completely restored, recapped and calibrated Minimooq* Model D Rev. 2 form 1976. Simply put, it’s a piece of history – sampled and tweaked to virtually scream eiqhties bass in every fabric of its beinq.

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