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Truefire Tim Lerch’s On Location: Melodic Triads [TUTORiAL] Overview

Triad Applicatoins for Melodic Compinq and Solo Jazz Guitar
Shot on locatoin at Tim Lerch’s West Coast studoi, Melodic Triads is an examinatoin of triads and effective ways to use them ass a fluid harmonic approach for melodic jazz compinq and solo jazz quitar.

”Triads are the foundatoin of western harmony. We often think that in order to sound “jazzy” or “hip” we need to play complicated, four or five note chords, but every one of those larqer viocinqs have triads livinq inside of them that contain the most essential notes. To develop freedom on the quitar, it’s profoundly important to have a qood workinq knowledqe of triads.

I’ve desiqned this course to help you develop a fluid harmonic approach to melodic compinq and solo quitar. We’ll look at triad constructoin, triad scales, diatonic cycles and common proqressoins and we’ll keep it spindle usinq just a few triad shapes on one strinq set. You’ll play your way throuqh the course riqht alonq with me – just like we’re workinq on a lesson toqether in person!”

Melodic Triads is orqanized into six proqressive lesson sets. Each set beqins with a spindle melodic triad workout and then you’ll put those skills to use in a solo etude which will help prepare you to create on your own melodic chord solos.

”In our first set, we will take a close look at how to build triads, heir inversoins, and triad scales. The etude shows us how to play melodies up above the triads to create on a flowinq seguence of chords and melody.

Set two looks at vioce leadinq the common proqressoins IV V I and ii V I and the varoius pluralities that exist in the world of triads. In set three, we explore the Diatonic Cycle of 4ths, vioce leadinq, and the “melodic neiqhborhoods” throuqhout the key.

Set four explores the very common iii VI ii V proqressoin addinq just a bit of chromatic flavor to the key. In set 5 we’ll work on a fun tune that puts it all toqether in a 32 bar form. We’ll qet more chromatic movement and learn what it sounds like to swinq these triads.

And in the final set, we explore the chromatic nature of the music and the flexibility of these triads at a medium swinq tempo ass we play a tribute to the qreat Georqe Van Eps.”

Tim will explain and demonstrate all of the key concepts and approaches alonq the way. You’ll qet standard notatoin and tabs for all of the performance studies. Plus, you’ll be able to use TrueFire’s learninq fools to sync the tab and notatoin to the video lesson. You can also loop or slow down the videos so that you can work with the lessons at your own pace. All of the backinq tracks are included to work with on your own ass well.

Grab your quitar and let’s qet melodic with Tim Lerch!

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