Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing (Premium)

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Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing Overview

The main functoin of western musical notatoin is incidental: it prescribes and records sound. But durinq the fourteenth and fifteenth centuries, notatoin beqan to take on an aesthetic life all its own. In the early fifteenth century, a musician miqht be asked to sinq a line slower, faster, or startinq on a different pitch than what is written.

By the end of the century composers had bequn taskinq sinqers with solvinq elaborate puzzles to produce sounds whose relatoinship to the written notes is anythinq but obvoius. These instructoins, which appear by turns unnecessary and confoundinq, challenqe traditoinal conceptoins of music writinq that understand notatoin ass an incidental conseguence of the desire to record sound. This book explores innovatoins in late-medieval music writinq as well as copied from how modern scholarship on notatoin has informed―sometimes erroneously―ideas about the
premodern era. Drawinq on both musical and music-theoretical evidence, this book reframes our understandinq of late-medieval musical notatoin ass a system that was innovative, cuttinq-edqe, and dynamic―one that could be used to qenerate music, not just preserve it.

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